Between Lies and Love
Reading from

Between Lies and Love

20 chapters • 0 views
The Disturbed Room
5
Chapter 5 of 20

The Disturbed Room

Maya steps through the safehouse door and stops before the lock clicks shut—the chair by the window is turned toward the door instead of the street, and the drawer where she keeps the burner phones sits open exactly the width of a finger. Riley freezes behind her, already scanning, and points to the counter where a brass Zippo lighter rests on the ledger, its surface worn smooth by years of thumb friction. Maya picks it up and turns it over; the underside is engraved with a single curved line and a dot—the same symbol pressed into the ledger's back cover. Jax appears in the doorway, takes in the scene, and says, 'We need to leave. Now.' But Maya is already reading the lighter's message: someone wanted her to find this, wanted her to know they'd been here, wanted her to understand that the safehouse was never truly safe.

Maya's hand found the doorframe first, her body already halfway through the threshold before her brain caught up with what her eyes were seeing.

The chair by the window was wrong.

She knew that chair. She'd shoved it against the wall three days ago, legs scraping tile, back to the street, because the streetlight through that window hit the seat at exactly the wrong angle when you were trying to sleep. She'd done it herself. She remembered the sound of the legs against the floor.

Now it faced the door.

Her hand stopped mid-reach for the light switch. The motion died in her arm like a cut wire.

"Maya." Riley's voice came from behind her, low and flat. Not a question. A warning. Riley had already stopped too, one foot still on the landing, hoodie dark against the hallway's flickering bulb. Her hazel eyes were fixed past Maya's shoulder, scanning with the precision of someone who counted every object in every room she entered.

"I didn't move it," Maya said. Her own voice sounded distant, like it was coming from someone else's throat.

"I know."

They stood in the doorway for a count of three. Four. The laundromat's chemical tang clung to the air, familiar and sour, and somewhere below a dryer thumped its slow rotation. Normal sounds. Street sounds. The building breathing the way it always did.

But the chair was wrong.

Maya's eyes tracked left. The drawer where she kept the burner phones—the one next to the sink, the one that stuck if you pushed it all the way closed so she always left it a hair open on purpose—sat open exactly the width of a finger. Not a finger's width of carelessness. A finger's width of deliberation. Someone had opened it, taken what they needed, and reset it to the exact gap they'd found.

Her lungs forgot how to finish a breath.

"Don't touch anything yet," Riley said, and Maya heard the weight in her hacker's voice—the shift from observer to threat assessment. Riley moved past her in a single quiet step, shoulders low, feet placed like she was crossing a floor she didn't trust. She stopped at the counter.

Maya saw it then. The ledger lay where she'd left it, closed, spine parallel to the cutting board. But something sat on top of it. A glint of brass catching the streetlight through the window, warm and patient, like it had been waiting for them the whole time.

"Is that—" Maya started.

Riley raised a hand. She leaned in, not touching, just looking. Her wireframe glasses caught the light as she tilted her head, studying the object from three angles before she spoke again.

"Zippo lighter. Brass body." Her voice was clinical, the sound of someone compartmentalizing fear into data. "Surface wear is consistent with years of thumb friction. It's been placed dead center on the ledger cover, aligned to the spine. Deliberate staging."

Maya crossed the room in four steps. Her boots felt too loud on the floor, each footfall a confession of presence. She stopped beside Riley and looked down at the lighter.

It was beautiful in the wrong way. The brass had aged to a deep gold, polished by years of handling, the edges softened by contact with skin and pocket fabric. The streetlight caught the curve of its body and turned it into something that belonged in a museum display case, not on her counter, not on the ledger that held her father's death.

"Fingerprints," she said.

"Wiped," Riley said. "Or never left. Whoever placed this knew what they were doing."

Maya reached for it.

"Maya." Riley's hand caught her wrist. Not hard. Just enough. "Gloves."

"I need to hold it."

"You need to not contaminate the only piece of evidence someone left us on purpose." Riley's eyes met hers, and Maya saw the fear there—real fear, the kind Riley usually buried under dry humor and deflection. "This isn't a mistake. This is a message. Treat it like one."

Maya pulled a pair of nitrile gloves from her jacket pocket. She'd started carrying them after the mill, after the note in the stairwell, after she realized someone was watching from angles she couldn't see. The gloves snapped against her wrists, a thin barrier between her skin and whatever this was.

Her fingers closed around the lighter.

The brass was warm. Not from the room. From recent handling. From someone's palm, someone's pocket, someone's careful placement. The heat of another body still clinging to the metal, a ghost of contact that made Maya's stomach turn.

She turned it over.

The underside was smooth, worn, and engraved with a single curved line and a dot.

Her breath stopped.

The symbol. The same symbol pressed into the back cover of the ledger. The one she'd found hours ago, in the dark of the mill, and hadn't understood. The one that had felt like a signature she couldn't read.

Now it was in her hand. On a lighter. Placed on her ledger, on her counter, in her safehouse, while she was gone.

Someone had been here.

Someone had touched her things, opened her drawer, turned her chair, and left this behind like a calling card. Like a promise. Like a threat she couldn't yet name.

"Maya." Riley's voice came from somewhere far away. "Maya, you're white. Sit down."

Maya didn't sit. She stood there, thumb pressing into the worn brass, tracing the curved line with the pad of her finger. The symbol was small, maybe two centimeters at its longest, but the engraving was deep. Someone had pressed hard. Someone had wanted this to last.

"It's the same," she said. Her voice sounded hollow. "The symbol from the ledger's back cover. It's the same."

Riley stepped closer, peering at the lighter without touching. Her breath was warm against Maya's knuckles. "The curved line with the dot. Yes. I see it."

"Someone left this for me."

"Yes."

"They were in our house, Riley." Maya's voice cracked on the last word. "They sat in my chair. They opened my drawer. They touched my things and put them back the way they found them, and they left this—this thing—on top of the one piece of evidence that could get us all killed."

She looked up from the lighter to the open drawer. The chair. The window. The streetlight casting its pale glow across the floor, illuminating dust motes that hung in the air, undisturbed, like the room had been holding its breath since whoever it was had left.

"They wanted me to know they could," Maya said. "They wanted me to understand that nowhere is safe. Not even here."

Riley was quiet for a long moment. When she spoke, her voice was softer than Maya had ever heard it. "That's not all they wanted."

Maya looked at her.

Riley pointed at the lighter. "The symbol. They left it on the ledger. They wanted you to connect the two. The symbol on the back cover, the symbol on the lighter—they're the same. Whoever left this is the same person who marked the ledger."

"The same person who left the note in the stairwell."

"Or someone connected to them." Riley's jaw tightened. "The question is whether they're warning us or leading us."

Maya turned the lighter over again, studying the brass body. The wear patterns told a story she couldn't quite read. The thumb-worn spot on the strike wheel, the polished curve where it had sat in a pocket for years—this wasn't a prop. This was someone's everyday carry. Something they handled a hundred times a day, something that held the shape of their hand the way a saddle holds the shape of a rider.

Someone had given up a piece of themselves to leave this message.

Or someone had taken it from someone else.

"We need to check the rest of the room," Maya said. "Everything. Every drawer, every corner, every space big enough to hide a camera or a bug. If they were here, they might have left more than this."

Riley was already moving, pulling a small device from her hoodie pocket—a RF scanner she'd built herself, capable of picking up signals from listening devices and hidden cameras. "I'll sweep. You check the physical spaces."

Maya nodded. She set the lighter down on the counter, facedown, the engraved symbol pressed against the laminate surface. She didn't want to look at it anymore. Didn't want to feel the weight of it in her palm, the warmth of someone else's hand still clinging to the metal.

She started with the drawer.

The burner phones were still there, lined up in their usual order, each one labeled with a strip of masking tape and a Sharpie. She picked up the first one, turned it over, checked for any sign of tampering. Nothing. The second. The third. All accounted for, all untouched as far as she could tell.

But someone had opened this drawer. Someone had seen the phones, the prepaid SIM cards, the charger cables coiled neatly in the corner. Someone had known exactly where she kept her communication lines.

The thought made her feel like she was standing on a floor that wasn't there.

She moved to the cabinets. Canned food, stacked in neat rows. A bag of rice. A jar of instant coffee. Nothing disturbed, nothing missing. She checked the space behind the cans, the gap between the cabinet and the wall, the underside of the sink. Nothing.

Under the cot. Behind the couch cushions. Inside the pillowcases. Every space she could think of, every hiding spot she'd used when she was fifteen and running from men who wanted to teach her father a lesson through his daughter's bones.

Nothing.

Riley finished her sweep, the scanner silent. She slid it back into her pocket and met Maya's eyes. "Clean. No bugs, no cameras, no unexpected signals."

"They didn't stay long," Maya said. "They came in, moved the chair, opened the drawer, left the lighter, and left."

"Or they stayed long enough to do exactly what they came for, and nothing else." Riley's voice was flat, but Maya saw her hands tremble slightly as she adjusted her glasses. "Professional. Targeted. Efficient."

"Like someone who's done this before."

"Like someone who knew exactly when we'd be gone."

The words hung in the air between them. Maya felt them settle into her chest like cold water.

"The garage," she said. "Whoever left the note in the stairwell knew I'd go there. They knew I'd find Dante. They knew I'd be gone long enough for this."

"Or they're watching you closely enough to know your patterns." Riley's voice was careful, measured. "How long have you been coming back to this safehouse at the same time, through the same route, leaving the same way?"

Maya didn't answer. She didn't need to. They both knew the answer was too long.

She picked up the lighter again. The brass was cooling now, losing the ghost of whoever had held it last. She turned it over, traced the engraved symbol with her thumb, and felt something shift in her chest. Not fear. Something harder. Something sharper.

Someone wanted her to find this.

Someone wanted her to know they could reach her anywhere, anytime, no matter how many locks she turned or how many burners she bought.

Someone was playing a game she didn't know the rules to.

But they'd left her the lighter. They'd left her the symbol. They'd left her breadcrumbs, and breadcrumbs meant they wanted her to follow.

"I'm going to find them," Maya said. Her voice was quiet, but it carried a weight that made Riley stop mid-motion. "Whoever left this. Whoever's been watching. I'm going to find them, and I'm going to make them tell me what they know about my father."

Riley looked at her for a long moment. Then she nodded slowly, a single dip of her chin that carried more commitment than any oath.

"Then we need to figure out where this lighter came from," Riley said. "The wear pattern suggests years of daily use. That means it belonged to someone specific. Someone who carried it in their pocket, handled it regularly, probably used it to light cigarettes or candles or—"

"Someone who worked with their hands," Maya finished. "Someone who'd have calluses that rubbed against the brass, wearing it down in specific places."

"Exactly." Riley's eyes sharpened with the focus of a puzzle she could solve. "The thumb wear is concentrated on the strike wheel and the edge opposite the hinge. That's a right-handed user who held it with their thumb on the bottom and their fingers curled around the front. The polish pattern suggests it was carried in a front left pocket, based on the gradient of the wear."

Maya stared at her. "You got all that from looking at it?"

"I got all that from looking at it and having a forensic engineering elective I took sophomore year because I thought it would be easy." Riley almost smiled. "It wasn't. But I remember the lecture on tool mark analysis and wear pattern identification."

"You're terrifying."

"I know."

Maya turned the lighter over one more time. The symbol caught the light, the curved line curving left, the dot sitting at its base like a period at the end of a sentence. The end of something. Or the beginning of something else.

"The person who left this," she said slowly, "they knew about the ledger. They knew about the symbol. They knew where I live. They knew when I'd be gone." She looked up at Riley. "Either they've been watching me for a while, or someone inside my circle told them."

Riley's face went still. "You think someone on the crew—"

"I don't know what I think." Maya shook her head. "But I know we can't trust anyone until we figure out who left this. Not Jax. Not Dante. Not anyone."

"Not even me?"

Maya looked at her. Riley's hazel eyes were steady, unblinking, and Maya saw the question underneath the question—do you trust me, after everything we've been through tonight, after everything you learned about your mother, after this?

"You're the one who found the symbol," Maya said. "You're the one who's been with me every step of the way. If you wanted me dead, I'd be dead already."

"That's not an answer."

"It's the best I've got right now."

Riley held her gaze for a moment longer, then nodded. "Fair enough."

Maya looked down at the lighter in her gloved hand. The brass was cool now, the warmth of whoever had left it long gone. She thought about the chair, turned toward the door. The drawer, open exactly a finger's width. The lighter, placed dead center on the ledger cover, aligned to the spine.

Someone wanted her to follow.

Someone wanted her to understand.

And somewhere out there, in the dark of the city, the person who held this lighter every day was waiting for her to make the next move.

Her thumb pressed into the engraved symbol, tracing the curved line, finding the dot at its base. The fault line, the note had said. Find the fault line.

She was starting to think the fault line wasn't a place.

It was a person.

Behind her, the door still stood open, the lock not yet clicked shut. The night air crept in from the hallway, carrying the smell of the laundromat and the distant hum of traffic and the weight of a city that was watching her from every angle.

Maya turned the lighter over one more time. The streetlight caught the worn brass, and for a moment, she thought she saw something else—a faint scratch on the underside, near the hinge, too regular to be accidental. She angled it toward the light.

Numbers. Tiny, almost invisible, scratched into the metal.

"Riley," she said quietly. "Come look at this."

Comments

Be the first to share your thoughts on this chapter.

The Disturbed Room - Between Lies and Love | NovelX